To him Verdi offers probably the grandest scene. The unexpected final catastrophe hits every character but one: the king, later crowned Emperor Charles V, the baritone. Vision… mirror… I think these ideas work well together!” So, I tried not to betray Verdi and still present a different vision. Besides, I like the idea of leaving some room to the undefined, the uncertain. One wonders ‘Is what I see real? Or is it just a reflection? Or is it reality?’ You can go deep into an opera through this tool – the mirror. Grinda explained they are a symbol of the central character’s internal turmoil: “They reflect a troubled, blurry image. Mirrors are very prominent in the stagecraft. Today he would simply be called a loser.” He’s a sort of heroic loser, a tormented man. “He’s a sort of desperate psychopath who believes in honour above all things, simply because he’s got nothing else to cling to. “Ernani is the ultimate romantic hero, alone and for ever the outcast,” said stage director Jean-Louis Grinda. It was recently staged at the Monte Carlo Opera House, where it triumphantly ended the season. No fewer than three men lose their heads for a woman, Elvira the baritone, the bass, and the tenor, Ernani.Ĭomposed by Verdi in 1844, the opera is based on Victor Hugo’s Hernani. Ernani is a melodrama of love and jealousy, honour and revenge. It is the opera that turned Verdi into an international star.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |